"Wow!" That's all Rick Montelongo, CGR, president of Montelongo Homes & Remodeling, could say when he first saw this 1950s, 1,200-square-foot brick home. Nestled between mature oaks on a prime lot in the coveted, historic Olmos Park area, the house had been left to decline.

Stunning white stucco, a galvanized steel roof and a sleek new elevation made the house modern. The team kept the original cubby-like squares in place and stuccoed over them, then mimicked the design on other outer walls.

According to Montelongo, his team had to be married to the owner's vision. "In the design phase, the owner was already purchasing items for the home according to her vision," he explains. "We were committed to making that vision a reality."

Before

To accentuate the contemporary design, the Montelongo team chose sleek aluminum non-operable windows for most of the house, with operable ones in the bedrooms. The custom-made entry door — design idea compliments of the homeowner — rotates 180 degrees and is made of composite steel with a washed metal stain finish that matches the slate porch.

The homeowner provided some of the products, including the teak cabinets.

To the right of the foyer, the Montelongo team built a mini-theater, outfitted with surround sound as well as movie seats from the now-defunct San Antonio Aztec Theater. From this room, the owner can control music throughout the house, even outside to the second-story terrace. Other updates include turning the guest bath into a "pool bath" and converting a closet into a sitting room.

The contractor encountered several challenges during the course of the project. Though Montelongo planned to preserve the existing wood floors, Mother Nature had a different idea. Despite efforts to protect the floors while the roof was off and the house was exposed, rain eventually made new flooring necessary.

The cabinets, which were provided by the homeowner, also disrupted the project. A delay by the cabinetmaker put the Montelongo team three months behind schedule, a month of which was stand still time.

"We improvised," says Montelongo. "We advanced the project in other areas, put parts out of sequence."